Nischal Poudyal is an Indian filmmaker and writer. He is best known for his work on the critically acclaimed films, 'Chauranga' (2016), 'I am Micro' (2015), 'Love in the time of Adversity' (2014), and 'The Coffin Maker' (2013).
Born in a small village of Dhading, Nepal, Poudyal began his film career in 2006, when he made his first short film, 'The Dream Of The Fisherman'. He then went on to study filmmaking at the University of Mumbai, and has since established himself as one of the most talented filmmakers in the country.
Poudyal's directorial debut 'The Coffin Maker' was based on a short story by Rabindranath Tagore. The film was a critical success and it won several awards, including the National Award for Best Feature Film in Hindi. It also marked the beginning of Poudyal's successful career in the Indian film industry.
In 2015, Poudyal directed the film, 'I am Micro', which was based on the life of a hearing-impaired child living in a slum. The film was critically acclaimed and it won the National Film Award for Best Children's Film.
Poudyal's biggest success so far has been his 2016 film, 'Chauranga'. The film tells the story of a young boy from a rural area of India, and his struggles to escape poverty and caste discrimination. 'Chauranga' was one of the most successful films of 2016 and it won multiple awards, including the National Film Award for Best Feature Film in Hindi.
Poudyal has also directed a number of short films, including 'The Legend of the Boy of the Mountain' (2015), 'The Return of the King' (2015), and 'The Girl Who Loved the Moon' (2016).
Poudyal is currently working on his next film, 'Love in the Time of Adversity', which is set to be released in 2021. He also has a few other projects in development.
Nischal Poudyal is an Indian filmmaker and writer who has made a name for himself in the Indian film industry. His films have been critically acclaimed and have won multiple awards. He is currently working on his next film, 'Love in the Time of Adversity', which is set to be released in 2021.
