Fabrizio Scapin

Fabrizio Scapin



Fabrizio Scapin is an Italian film and television director. He has worked on a number of feature films, documentaries, television series, and commercials, and his work has been featured in a number of prestigious film festivals. Born in Rome in 1969, Scapin was introduced to filmmaking at an early age. His father, an amateur filmmaker, encouraged him to take part in the creative process, and he soon developed a passion for the medium.

Scapin attended the University of Rome’s Academy of Film and Television, where he received his degree in cinematography. After graduation, he worked as a camera operator for several films before eventually becoming a director. In the early 2000s, his short films began to be noticed, and he was soon invited to direct feature length films.

One of Scapin’s most renowned films is his 2012 feature, ‘The Red Violin’. The film follows a mysterious violin which was crafted in 17th century Italy and has been passed down throughout the generations. It was a critical success, and was nominated for numerous awards, including a BAFTA.

He has also directed a number of television series, including ‘Gomorrah’, ‘Romanzo Criminale’ and ‘Rising Angel’. His most recent film, ‘The Ties That Bind’, is an adaptation of the novel by the same name by Italian author Gianrico Carofiglio. The film tells the story of a lawyer and a cop who team up to take on a powerful criminal organization.

Scapin has been praised for his ability to evoke emotion from his audience. He often uses long takes and minimal dialogue in order to draw out the drama, and his films often focus on complex relationships between characters. He is known for his willingness to take risks, and his films often explore the darker side of human nature.

Fabrizio Scapin is an acclaimed filmmaker who has been creating thought-provoking films for the past two decades. His work has been recognized by film festivals and critics alike, and he continues to be one of the most sought after directors in the industry.

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