Mikhail Vartanov (1937-2009) was a Russian film director, writer, and producer who is known for his unique approach to filmmaking and for his powerful works of art. He was born in Moscow, Russia, and grew up in a family of Armenian heritage.
Vartanov began his career in the mid-1960s, beginning as an assistant director on a number of Soviet films. He was later hired by a studio to write and direct his own films. His first feature film, “The Colour of Pomegranates” (1969), was a critical and commercial success and established him as one of the most important Soviet directors of the time.
Vartanov's films often focused on social and political issues such as the Soviet-Afghan War and the Armenian Genocide. He also addressed the struggles of the human condition, depicting the psychological and emotional struggles of his characters in a poetic and lyrical manner.
Vartanov's films often featured non-professional actors and were shot in a documentary style, often using natural light and long takes to capture the nuances of his stories. His films often generated controversy in the Soviet Union due to their frank depictions of Soviet life.
Vartanov's most notable films include “Days of Eclipse” (1988) and “The Colour of Pomegranates” (1969). “Days of Eclipse” tells the story of a physicist living in a remote region of the Soviet Union who is struggling with psychological issues stemming from the Chernobyl disaster. “The Colour of Pomegranates” is an experimental film that tells the story of the life of an 18th century Armenian monk.
In the late 1980s, Vartanov left the Soviet Union and moved to France, where he continued to make films. He was a prolific director, and his films were screened at many international film festivals. Vartanov also wrote and directed a number of television films and documentaries.
Vartanov's work has had a lasting impact on the world of film. He is considered one of the most important film directors of the 20th century, and his films continue to be studied and discussed today. His films are still shown in film festivals and art houses around the world, and his influence can be seen in the work of many contemporary filmmakers.
