Heloisa Azevedo Passos is a Brazilian film director and screenwriter known for her work in both documentary and narrative film. Born in São Paulo, Brazil in 1980, Heloisa has been involved in the film industry since she was a young girl.
Heloisa attended the University of São Paulo, where she studied film theory and production. She was deeply inspired by the works of the great Brazilian directors, including Glauber Rocha, Nelson Pereira dos Santos, and others. After graduating, she worked in several short films, documentaries, and television programs. Her debut feature-length documentary, “O Povo Brasileiro” (The Brazilian People), was released in 2008. The film examines the lives of the people of Brazil, focusing on their culture, beliefs, and struggles.
In 2013, Heloisa released her second feature-length documentary, “Uma História de Amor e Fúria” (A Story of Love and Fury). The film follows the story of a young girl from the slums of Brazil and her quest to find her true identity. The documentary was well-received in Brazil and was awarded the Special Jury Prize at the Rio de Janeiro International Film Festival.
In 2015, Heloisa’s first narrative feature film, “Amor e Outros Desastres” (Love and Other Disasters), was released. The film follows the story of three young women who are struggling to find love and fulfillment in their lives. The film was a critical success, receiving numerous awards at film festivals around the world.
Heloisa has also written and directed numerous short films, including “O Tesouro” (The Treasure), “Obrigada” (Thanks), and “A Noite em Que o Céu Desceu” (The Night the Sky Fell). Her work has been featured in numerous film festivals, including the Cannes Film Festival, the Rio de Janeiro International Film Festival, and the Venice Film Festival.
Heloisa is a passionate and dedicated filmmaker who continues to tell stories that are both entertaining and thought-provoking. She has become a beacon of hope for many in her native Brazil, and her work continues to inspire audiences around the world.
