A Russian father and his young daughter set off on an open-ended road trip, filming each other with two cameras as they navigate rest stops, hotel rooms, and long stretches of highway. Their journey unfolds in the space between distance and tenderness, shaped by the constant intrusion of work calls and the unspoken weight of absence. The destination remains uncertain; what matters is whether they choose to continue travelling together.
AWARDS
DOCU/Life Docudays. First Prize
Larv National Awards. Best Auteur Film
OFFICIAL SELECTIONS
DocLisboa. Investigations Contest
Distance and tenderness on an uncertain road for two
Russian director Denis Shabaev sets off on a road trip with his daughter to her grandmother's house, but the true destination is uncertain. The absence of a mother gives way for father and daughter to have a journey of two solitudes, finding themselves inside a car or in the open air of the various stops they make along the route. This inside-out, tension-and-release dynamic portrays, in Together, the intricacies of a filial relationship that oscillates between distance and tenderness.
Like her father, the girl sometimes films from her own point of view, making the trip a fractal experience full of unexpected perspectives. A hotel room in the middle of the road becomes an opportunity to edit the film being made, a film that is interrupted, as is the communication between the two characters, by the constant phone calls Shabaev receives. These calls are reminders of the professional obligations of a father trying to heal his absence, set against the playful world of a child who is beginning to sense the changes ahead.
Situated somewhere between a personal diary and an experimental film, the documentary provides an intimate look into a complicated and tender relationship. The two cameras pointed face to face capture different fears inhabiting a single shared space. The central question the film poses is simple but unresolved: should they turn back, or continue travelling together?
2191 films
And a new one every day
The preferred platform
of true documentary lovers
Half of all revenue goes
directly to the filmmakers