Peter Mettler’s Gambling, Gods and LSD is an essay film that travels across four continents, observing how people seek meaning, transcendence and escape. Through fragments of everyday life, spirituality, science and obsession, the film invites the viewer to actively construct its meaning.
AWARDS
Best Feature Length Documentary. Genie Awards
Best Film. Docs Against Gravity Film Festival
Best Documentary. Duisburger Filmwoche
Best Documentary. Festival du Nouveau Cinéma Montréal
Grand Prix. Visions du Réel
Prix du jeune public. Visions du Réel
Best Documentary. Vancouver International Film Festival
OFFICIAL SELECTIONS
FIDOCS Festival Internacional de Documentales Santiago de Chile
Planete Plus Doc Film Festival
Hot Docs Canadian International Documentary Festival
Dokufest International Documentary and Short Film Festival Prizren
Festival dei Popoli Firenze
IDFA International Documentary Film Festival Amsterdam
Internationales Leipziger Festival für Dokumentar
Yamagata International Documentary Film Festival
Docu Days Beirut International Documentary Festival
DocPoint Helsinki Documentary Film Festival
International Documentary Film Festival
Denver International Film Festival
Melbourne International Film Festival
International Film Festival Trenčianske Teplice
Buenos Aires International Independent Film Festival
Intinity Festival Film and Spiritual Research
Thessaloniki Documentary Film Festival
International Film Festival Rotterdam
Solothurner Filmtage
Filmfestival Max Ophüls Preis
Pusan International Film Festival
Duisburger Filmwoche
Festival international du cinéma et des nouveaux médias
Vancouver International Film Festival
Toronto International Film Festival
South African International Documentary Festival
Visions du Réel Festival international du cinéma documentaire
An experimental journey through belief, addiction and altered states
Gambling, Gods and LSD is a three hour experimental documentary by Peter Mettler that unfolds as a personal travel diary and philosophical inquiry. Filmed between 1997 and 1999 in Canada, the United States, Switzerland and India, the documentary moves through a series of loosely connected episodes that explore how individuals confront uncertainty, desire, faith and mortality.
Beginning in Toronto, the film observes evangelical worship, personal confessions and moments of spiritual fervour. In the United States, the journey shifts between the vast landscapes of Monument Valley and the artificial intensity of Las Vegas, where gambling, spectacle and technological simulations of pleasure reflect modern forms of escapism. In Switzerland, Mettler meets Albert Hofmann, the scientist who discovered LSD, and films scenes of addiction, nightlife and scientific reflection that question individuality and control. The final section in India follows religious rituals, pilgrimages and collective practices that frame transcendence as a shared social experience.
Shot without a script and largely alone by the director, the film embraces imperfection, intuition and association. Rather than offering conclusions, Gambling, Gods and LSD asks how cinema can show what cannot be seen, encouraging the viewer to participate in the creation of meaning. The film was widely screened internationally and won the Genie Award for Best Documentary, standing as a landmark work of essay cinema that blurs the boundaries between documentary, philosophy and sensory experience.
2277 films
And a new one every day
The preferred platform
of true documentary lovers
Half of all revenue goes
directly to the filmmakers