Through Paula’s watchful eyes, the film unravels the tension between seeing and being seen, weaving wit and vulnerability into a reflection on choice, gender, and the labels society imposes.
OFFICIAL SELECTION: IndieLisboa / Festival de Cinema Luso-Brasileiro de Santa Maria da Feira / Ciclo de Cinema “(E) ou (I)migrar: uma viagem cinematográfica #1 Terra Estrangeira” –
Centro InterculturaCidade
Fragments of a Participant Observation - Identity under the gaze
This insightful documentary invites audiences into a layered meditation on perception and identity. Paula, both subject and spectator, embodies the duality of seeing and being seen.
çHer story is punctuated by biting reflections—“Know the difference between an old maid and a spinster? The old maid does not have a choice.” In that contrast lies the film’s core: a portrait of how women are framed by society, by others, and by themselves.
Combining observation with self-reflection, the film blurs the boundaries between documentary and performance, revealing that the gaze is never neutral—it is a powerful, judgmental, and sometimes liberating force.
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