Camera/Woman

  • 9.2 10
  • 2012
  • 59min
Camera/Woman
  • Original Title: Camera/Woman

In Casablanca, Khadija, a divorced mother, works as a wedding videographer in a society that questions her independence. Moving between the fantasy of celebrations and the constraints of family life, the film observes how her camera becomes a tool of resilience and self determination.

Camera/Woman
Awards

AWARDS
WorldView Award. International Documentary Film Festival Amsterdam
Human Rights Award. International Documentary Festival in Agadir
Ulysses Award for Best Documentary. Cinemed
First Appearance Award. Jean Rouch International Film Festival of Ethnographic Cinema

OFFICIAL SELECTIONS
International Documentary Film Festival Amsterdam IDFA
Montpellier Mediterranean Film Festival
Millenium International Documentary Film Festival
Full Frame Documentary Film Festival
DOXA Documentary Film Festival
Human Rights Watch Film Festival New York
Human Rights Watch Film Festival London
 

A Moroccan camerawoman films weddings while shaping her own emancipation

Camera Woman follows Khadija, a Moroccan wedding videographer and divorced mother living in Casablanca, as she navigates the tensions between personal freedom, family responsibility, and social expectation. By night, she films weddings, entering spaces traditionally reserved for women where veils are lifted, music fills the room, and a collective fantasy of love and hope is carefully staged. By day, she returns to a conflictual home life marked by pressure from her conservative family, who disapprove of her occupation and urge her to remarry.

Khadija is the mother of an eleven year old son and the main breadwinner for her parents and siblings. Her work allows her a degree of independence, yet it also exposes her to criticism and control from those closest to her. Directed by Moroccan filmmaker Karima Zouibir, the documentary adopts a quiet observational approach that stays close to Khadija’s daily routines, capturing moments of silence, fatigue, and determination alongside the energy of the weddings she films.

The contrast between the idealised world of marriage ceremonies and Khadija’s own experience of divorce reveals broader social tensions within Moroccan society. While weddings remain a central milestone in the lives of women, divorce and female independence continue to carry stigma. Through conversations with friends who share similar experiences, and through Khadija’s unwavering commitment to her work, the film reflects on changing gender roles and the cost of emancipation.

Shot in a vérité style, Camera Woman presents an intimate portrait of a woman who refuses to surrender her autonomy. For Khadija, placing her eye behind the lens is not only a profession but a means of asserting dignity, freedom, and control over her own narrative.

Karima Zoubir
Karima Zoubir Director
Khadija
Khadija Herself

Production Companies

Les Films de demain


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